By Henrique Antero Henrique Antero is a Brazilian writer who would probably have a hard time distinguishing between a bug and a message from the gods. He is trying to string words into coherent sentences—but rarely on his Twitter, where you can reach him @erniquoa. I’ve always had a major problem making up my mind, […]
REPVBLIC’s Military-Industrial Complex attempts to pull off the notoriously difficult task of creating a trenchant, coherent and funny political satire in the context of a videogame. It resembles, in some ways, a Mason Lindroth game: aesthetically, it reflects that grainy black-and-white palette and texture typical of Lindroth, but in more of a topical, pop art […]
From a ludic point of view, Andrew Wang’s Shadow of the Red Hand is a fairly conventional platformer. It’s short, having been made in a weekend for Ludum Dare 35, and can be played in a matter of minutes, and it does what it’s supposed to. Entertain yourself for a spell by running right for […]
[TW: discussion of genocidal violence, exploitation] My body is nearly featureless and glowing like a light bulb. I think I’m tall; I’m definitely bald. My expression is fixedly placid, a little dreamy. I’m not sure if I’m some kind of ghost, but it feels ephemeral. Nothing feels particularly solid or permanent. The camera is generally […]
CUBEISM is a browser-based Unity game by Pat Stefaniak (a.k.a Sutopat) consisting of, as the itch.io page describes it, one cube and multiple cameras. It loads to a low thrumming drone, like the hum of a cathode ray tube, while in fact two grey cubes of equal size appear projected on a black background. Using […]
By LeeRoy Lewin This latest guest post comes to us from game developer LeeRoy Lewin. Lewin is a member of Washington-based dev collective VEXTRO and a regular contributor to JRPGs Are Dead. You can play his poem-game, Into the Mouth of Silence, on itch.io, and follow him at @wasnotwhynot. When difficulty in videogames is considered, it’s usually in terms […]
Joseph Parker’s An Evening of Modern Dance presents itself, at least at first glance, with all the self-serious trappings of the real form on which it’s based. The stage before you is dark, stark, with a mise en scène that’s empty save for the dancers and the spotlights trained on them. There’s a classic red curtain and an apron, and the wall-to-wall smoothness of Unity textures make the place feel unreal, serene, and ghostly, as if carved from clay and finely sanded.
I’ve done this review in the form of a visual poem. The game in question, by Team Tree, may be downloaded here. It can be played in minutes.
Welcome to episode 2 of Ways of Playing! Continuing my investigation into the works of Osamu Sato and OutSide Games, this episode takes a somewhat truncated look at their first ever release. Metaphysical questions abound in this atmospheric 1994 adventure game about self-actualization and spiritual growth. Eastern Mind: The Lost Souls of Tong-Nou draws from an indulgent mix of aesthetic, literary and religious influences, as well as an impish (maybe even downright mean) sense of humour to bring its themes home. Considering how much there is to discover in this game, I only hope I did it justice.
This latest guest post comes to us from writer, game developer and minister Katriel Paige. In this piece, Paige dips into her theological knowledge of Buddhism to draw meaning from her experience with Journey, and the spiritual and allegorical themes that weave their way through the gentle puzzle game. You can support Paige via Patreon and follow her on Twitter @kit_flowerstorm.